I’m walking at vegetable market and see a tasty sweet pepper for soup; I see a nice still life www.lifeofanartist.nl painting. Also, like the answer to the previous question, one may only see some cracks in the tiles, I may see a painting. So, my mission is to reveal the beauty there where no other eye sees it but the artist’s eye does.
Tell me about your creative process, from the beginning of a work to its completion:
Day after day, night after night, I keep ideas on the first support I may find when the inspiration strike. Most of time, the only available support is my own memory… which, unfortunately, is not my best support for the purpose. So that way many ideas are lost for good. Although, I have stored a lot of ideas on written notes or fast sketches.
Funny thing is that, so often I don’t use that pile of ideas to start a new painting but the most recent idea that struck me. This why an artist must be a monk if he want almost all his ideas transposed onto the canvas (or any other support… or else learn to paint much faster, not so slow like me. As I said before, ideas come from all over the place from the restroom or vegetable market, to the actual reality at dream reality.
When it is about realist paintings, I set down the model, I do the composition, and then I start painting. Quite simple. I don’t make multiple compositions to choose from as I’m confident on my first impulse. Painting process itself is a love / hate activity for me. Until 2006, all of my life, even as a kid, despite suggestions of that early mentor who gave me the first oils and who really hated abstract art, I loved abstractionism and I created accordingly. Well, there was such a joy to paint so! On good days (OK, nights) I had been painting 2, 3 or even 4 paintings! The main problem was that that joy was short lasting… like an energy drink… There’s only one painting from that period I still like – Solar Incandescence.